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The Geography of Girlhood
The Geography of Girlhood Read online
PRAISE FOR
the geography of girlhood
“Perfectly captures what being a
teenager is all about, from the smallest
insecurities to the biggest
heartbreaks.”
—Sarah Dessen,
author of The Truth About Forever
“Compelling, evocative, funny,
sensual, and painfully real.”
—Ann Martin,
author of Newbery Honor Book
A Corner of the Universe
“This is what it feels like to grow up, and
these are the poems that every teenage
girl, overwhelmed by longing, jealousy,
and passion, would love to write.”
—Leah Stewart,
author of The Myth of You and Me
“With pithy, evocative metaphors,
Smith’s free-verse poems capture the
fizzy energies, soul-deadened malaises,
and ultra-confident poses that mark teen
girl experience.… Smith gets the climate
for her geography just right.”
—Bulletin of the Center for Children’s
Books
“A beautifully written, remarkably
perceptive take on growing up. I only
wish this book had been around
when I was a teenager.”
—Julia Stiles
“Funny, sad, all too real, and a
thorough delight to read.”
—Tom Perrotta,
bestselling author of Election
“Lyrical, gorgeous, and hard-hitting.
I couldn’t put it down.”
—Lauren Myracle,
bestselling author of ttyl
“Kirsten Smith’s verse is spare,
subtle, and tender.”
—Deb Caletti,
author of National Book Award finalist
Honey, Baby, Sweetheart
“Alternately caustic and vulnerable,
above all, Smith’s writing is true.”
—E. Lockhart, author of
The Boyfriend List
“Readers will be enormously satisfied.”
—Kirkus Reviews
Copyright
Copyright © 2006 by Kirsten Smith
All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.
Little, Brown and Company
Hachette Book Group
237 Park Avenue
New York, NY 10017
Visit our website at www.HachetteBookGroup.com
www.twitter.com/littlebrown
First eBook Edition: October 2009
The characters and events portrayed in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.
ISBN: 978-0-316-08683-7
The text was set in Frutiger Light, and the display type is handlettered.
Contents
PRAISE FOR the geography of girlhood
Copyright
1 marine life
2 low tide
3 the lay of the land
4 Bodies of water
5 the river of sixteen
6 the Wrong road Out of town
7 the flanks of home
acknowledgments
To Mel and Katie Aline
and
In memory of Stan Pollard
1
marine life
Pop. 9,762
Clam season is about to start
and ninth grade is almost over
and I have rowed myself
out to the middle of the bay so I can see the place I live:
everything is trees and water and rain
and smoky stink from the paper mill
and small town, small town.
One day, I’ll find my way away from here
and go somewhere real
and do something great
and be someone wonderful.
One day, I will be standing at the shore
of a completely different body of water
and it will be big and wild and dangerous
and it will be like this one
never even existed.
Fourteen
Fourteen is like rotten candy,
fourteen is a joke that no one gets.
When you’re fourteen,
you look good only once a week
and it’s never on the day of the dance.
When you’re fourteen,
you have a mouthful of metal
that no one wants to taste.
Fourteen is going to bed at night
and wishing you could wake up with a new face
or a new dad or better yet,
a new life
that doesn’t look anything
like this one.
My Sister’s Body
I have been living in my sister’s room
for so long,
I begin to think that
her body is mine.
The long torso,
the breasts lodged high
like tea cakes
on her powdery skin.
In our room
I watch my sister dash around,
her lips like bruised plums
as she waits for Bobby
to gun up to the house.
I look at her
and memorize everything.
So when the time comes,
and the boy’s eye glitters like a crime,
I will know what to do.
I will peel off my crushed velvet shell
and stand before him,
tall and beautiful
and so white
he can barely breathe.
Pretty
They say girls take after their mothers
and in the case of my sister, it’s true.
But in the case of me
I have my father’s eyes and my father’s toes
and scariest of all
my father’s nose.
My mother was pretty
but my father is not,
so that means whatever beauty there is,
that’s what my sister got.
Diana
Lips, limes, she had it all.
That’s what I say about my mother,
a dreamboat that drifted away,
a flower on a live spit.
She had the beauty of a fire alarm:
loud and hard to ignore,
always too late to stop the house from burning down.
I don’t remember much about her
just that she was an expert at drinking too much
and falling down just a little,
and she always said glass could cut glass,
a diamond was nothing special.
The day she left, I was six and learning to swim,
coasting like a petal in the community pool
when she came to whisper her last how-to’s into
my ear:
How to hold the man gently over the flame
until he is golden as toast,
how to butter him,
how to almost gobble him whole,
when to stop
and call him love.
How My Father Sees Us
To him, we are piles of lingerie.
We are water-rings and dented fenders,
we are a trail of CDs littering the road to nowhere.
Because of us, he’s always on the prowl for chaos,
a man with a little box for this
and a little bag for that.
To him, we are the kinds of daughters that
make a man want to invent things
just so they can make their way along.
He tells us he hopes that when the time comes,
and with the help of all he’s given us—
the fishing-lure markers, the toolbox,
the lectures on which boys are trouble
and which boys are good-for-nothings—
we’ll be able to move gracefully
through the world.
We will be tidy and professional,
well organized and successful,
but what he doesn’t know is that
we will leave just enough of a trail—
a stain on the davenport or a chip in the paint—
so that he can recognize us
as his daughters,
so he can seek us out
and call us his own.
Closet
This morning, Tara catches me
sneaking into her closet and
when I ask to borrow one of her shirts
to wear to the dance this afternoon,
she tells me she’s not loaning me anything
and if I ever go in her closet again,
she will maim me
and then kill me.
I ask her what I should wear
and she says she doesn’t care
but whatever it is
it shouldn’t have stripes.
Friday Afternoon Dance
Dances are a dream come true
or a nightmare,
depending on who you are
or how you talk
or what you choose to wear that day.
I made the mistake of polka dots.
I stand on the far wall
in a free-fall shame spiral.
Elaine and Denise are next to me,
hopped up on Milk Duds.
Denise is wiggling around so hard
that when Eric Chandler asks her to dance,
he can barely keep hold of her.
In his fourteenth year, Eric’s arms are at war
with his legs
and it’s safe to say his legs are losing.
Then Stan Bondurant comes up
and tells a joke about Polish people
before he takes Elaine out to dance.
Stan’s fine, but I have a thing about class clowns—
it seems like they’ll do anything
to hide their heart.
As for me, the song is halfway over
and I am at the edge of the dance floor
like a stone at the edge of the sea,
waiting for my rough edges to be smoothed
into something worth touching,
and I tell myself that one day someone will come for me
and until then
I’ll wait.
Seagulls
After the dance, I get a ride home from school
with my sister and Bobby
and they stop at the beach
to do what they do,
which means I’ve been sent off
to collect shells
like I’m five.
A Navy helicopter flies by
and the birds on the marsh start to panic
and the air fills with a great cloud of wings
and I realize that’s how it goes here:
nothing ever happens
and if it does
all the things with wings
fly away.
The Search for Extraterrestrial Life
Tonight after dinner, my dad shows me his new
computer program. He says it looks for signals in space
while you sleep. Are you talking about aliens? I ask.
He nods like it’s totally normal. My father has either
officially lost his mind, or maybe he’s on to something;
maybe if scientists can find life on other planets, then
maybe one day somebody can find my mother.
Late Bloomer
They say my mother was like a hydrangea,
prone to wilting and then falling apart
at the slightest sign of stress or sun.
They say my mother was a rhododendron,
she always looked better after the rain.
They say my mother did so many bad things
to so many people she loved
she was a snapdragon with nowhere to go.
Me, I say my mother was a night-blooming jasmine,
she was at her best when no one was looking.
I say my mother was a late bloomer
who didn’t get time to grow,
but then again, what do I know.
What I Know About My Parents’ First Date
It was night and the snow on the Ridge
was just starting to melt.
As they made their way up to the top
in his old truck,
my mother noticed the rams
propped against the hillside,
feeding on dirt.
The stars came out fast that night
and my mother imagined
that from somewhere on high,
someone looked down and said,
See that girl’s skin? Protect it.
I Sing the Body Retarded
I was late for school today because my sister was trying
to instruct me on the ways of feminine hygiene and I
can’t seem to get it right and tampons are officially my
enemy and I will be stuck with maxi pads forever which
means I will be uncool forever and it’s safe to say there
is definitely something wrong with me, which now
makes this the fourth time today I have thought that,
the other times being when Rob Calderon told me to
“grow some tits” during P.E., and when I had sweat
stains during third period for no reason, and when
Danny Helms said that blue eyes are the prettiest and
here I am, stuck with brown.
On the Equator
Today after I got out of play rehearsals, Skyler Reeves
came up to Denise and Elaine and me, all fresh from
cheerleading practice and wearing her shiny skirt
and her shiny hair and her shiny smile. Can you guys
come over Saturday? she asked and Elaine said,
Of course we can!
As Skyler walked away, Elaine was talking a mile a
minute about how cool it was going to be, and Denise
looked lost and sad and far away, and I stared at my
two best friends and saw that if we were a continent
unto ourselves, Elaine would be the north pole and
Denise would be the south and I would be somewhere
in the middle, trying to navigate all that space in
between.
Slumber Party
We are at Skyler Reeves’s house
watching Maggie Cartwright’s dad’s copy
of Showgirls
which could be fun if it weren’t so embarrassing.
Denise has spent half the night
hiding in the bathroom,
because sometimes she gets that way
around more than three people.
When I ask Elaine
if she thinks Denise is alright,
Elaine shrugs and says, Sometimes Denise is such
a freak
and Skyler Reeves laughs.
Elaine acts cool and won’t look at me.
But what she doesn’t say
is that her half brother is in jail
and Skyler Reeves’s mom is on her fifth marriage
and Maggie Cartwright likes being spanked
and I am what I am
so basically
that makes us all freaks,
doesn’t it?
Everyone Else
After the movie,
we all lay out our sleeping bags
and Skyler and Maggie start
talking about what happened
at the Senior Prom last night,
telling stories about high school girls
like Lisa Tavorino and Kelly Barnes
and Jenny Arnold and Jenny Able
as if they were movie stars.
Even my sister’s name comes up once or twice
and Dinah says, She’s so pretty, as if
I were somehow not aware of this fact.
Skyler and Elaine and Maggie are
so ready to become those girls
and then there’s Denise,
who’s still hiding in the bathroom,
and as for me, all I know
is that even though high school is only
three weeks and an entire summer away
it still feels like it’s a faraway land of them
and I will forever be living
in the same old hometown of me.
The Jennys
The story goes that Jenny, homespun girl,
hopped onstage during the Prom last night
and started singing with the band.
Jacked-up on the fervor of fifteen,
drunk Jenny sang the girl-part of a duet,
didn’t notice her boyfriend’s hand
loitering on another Jenny’s thigh.
High school seems filled with Jennys,
most of them hiding out as Jennifers,
others as easy-access Jens,
but these two—Jennys to the core.
They’ve spent the year ruling popularity contests
and baffling teachers with their identical penmanship.
They discovered beer and marijuana
and that’s when the trouble started:
one Jenny liked Budweiser,
one liked smoking out on the cliff.
One Jenny has her hair tipped black,
the other wears Mike Shaw’s letterman’s jacket.
Last night, so the story goes, they were at the same
dumb dance,
one Jenny onstage, the other by the lockers.
They took turns kissing the same boy:
a beer jock, more Jenny’s type
than Jenny’s, but it’s not about the kissing anymore.
It’s about the fierceness of the name,
the matching J’s and A’s on
every science quiz for the past eight years,